Thoughts – Think It Yourself

Curse of the Third season

I recently finished the latest seasons of two popular Indian web series, both third seasons respectively, both having had well received first seasons. The series are Delhi Crime, and The Family Man. And what can I say about my deep disappointment with both.

And then it struck me, this is not the first time a ‘Third season’ has let me down. I’ve been here before. Mirzapur, The Inside Edge, and recently Special Ops had the same trajectory. Stellar first seasons, wayward third seasons. Web series are a new phenomenon in India, worldwide even. Very few have had anything beyond the first season, and even fewer have maintained quality throughout. The third season seems especially where they drop the ball.

Delhi Crime and The Family Man seem to have some common ailments. Both stretch thin premises too long. Both tried to make the villains look more menacing by dumbing down the heroes. Both seem stuck in the first season status quo for their main characters. Same struggle beats are repeated, no significant character growth is seen despite actors playing them having visibly aged, significantly in fact.

What could be the reason for this prominent pattern? It got me thinking. I feel the answer lies in the usual story structure of Indian media. Western movies and visual media at large works in three act structure. The setup, the struggle/journey, and then the resolution. Indian movies and its derived stories rather work in a four act structure. The intermission breaks the struggle/journey in two parts. A twist, usually presented as a short cliffhanger adds new direction to the journey.

The act structure can work over multiple broken down parts too. Baahubali and KGF duologies are good examples of it, four acts played through individual movies, as well as through overarching arcs over two movies. This structure has seeped into the overarching structure of the Indian web series. That’s why we usually see a cliffhanger at the end of the first seasons of most web series. Almost every series is trying to set up something for later instead of telling a self contained story within one season.

But here’s where we run into the third season problem. A setup only works when there’s a payoff. And the payoff is usually the climax, where the story wraps up. But in ever stretching season schedule, the wrapup never comes. It’s just one cliffhanger after another. And after a while, it seems to be going nowhere. The characters seem to be stuck in the same loop. Writers seem afraid to give them any meaningful development, fearing they’ll lose their attraction amongst the audience. While the truth is quite opposite. Because those very audience are growing up too. Seeing those characters act the exact same way as before is like remembering your teenage years. What was fun at the time invokes cringe now.

It’s especially exacerbated when the gap between two seasons is long, as is the usual case these days. The audience grows a lot more than on screen characters. Animated characters can stay the same age indefinitely, but live action actors age. Yet, their characters are beholden to story arcs which refuse to resolve, and timelines which keep slipping out of sync with the time passed in the real world. This further enforces the perception of slow character development.

A four act structure works only when there’s a definite resolution at the end. You can always tell a new story, a new chapter in the life of the character. But if there was no satisfactory end to the previous chapter, it becomes a grind. I must digress, that Delhi Crime doesn’t fall strictly in this category. It is more of an anthology than an overarching story. Every season has a self contained story. Its problem lies in the fact that later seasons didn’t have a similar gut wrenching and relevant premise as the first one. In trying to match the same gravitas, they fumbled the execution.

But the rest are definitely struggling with this four act formula. Hardly a few series are trying to tell a self contained story. Many drop off after the first season, leaving an unresolved story. Some who get to come back still refuse to let go with a second season. And the result is what we see, the tired versions of the characters we once adored. Writers have to abandon the act formula for a more cohesive story structure. They need to let their characters grow. They need to resolve struggles. They need to bring the story to the end.

Be the citizen worth fighting for

Today’s flavour of woke liberal messaging, writing poems about the suffering of soldiers and their families. Trying to paint a picture, as if in India only poor people go for forces because they have no other options, and are now forced into conflicts at the whims of elites.

People living in their bubbles, who actually never had any first hand knowledge of the real scenario, only they can form such opinions. They probably heard ‘Fortunate son’ for its lyrics rather than its fantastic riff. Why wouldn’t they, they are intellectuals after all. But our intellectuals have no idea how India is. All they have learnt about the military life scenarios is through hollywood media.

India is not a military state with perpetual wars. We don’t send people on deployment overseas to protect our ‘interests’. We don’t have an oversized military, which has to chase recruitment targets, and carry out marketing when it falls short.

Our military is genuinely for our homeland defence. We actually have one of the lowest active personnel to population ratio, close to very peaceful demilitarised nations. And on achieving recruitment targets, one has to spend a day in selection camps to see it. To see how many want to join, but how few are ultimately selected. The candidates aren’t from some destitute backgrounds either. They come from good families, be it urban or rural. In fact a poor kid making through becomes news in the area.

They go through the grind of difficult selection and training, not because they have no other options, but because they want this life only. They are there to prove their mettle. They seek glory, they walk the path of honour. They are the Kshatriyas, the protectors of society, and they have chosen this life.

But what our woke poets are doing. They’re infantilizing the warriors. In their own timid bubbles, they are so divorced from human experience, that they can’t fathom that some people would volunteer to risk their lives for greater good. The concept of bravery is alien to them. And through this ignorance, they deny our soldiers the very thing they seek.

Growing up, I wanted nothing more than serving the motherland in that uniform. But a few attempts later, I realised I was not going to make the cut. And since then, I haven’t really felt much dismay on missing out, I did end up flying anyway. But, there are occasions, when I’m hit with ‘what ifs’. This is one of those scenarios. These are the times which anyone joins the forces for.

Don’t pity the brave. Pity the cowards who can’t even honour Balidaan with a straight spine. Be the citizen worth fighting for.

The Patriot-Nationalist spectrum; an Indian’s perspective.

A very common theme I find in some people’s self declaration is that they are Patriotic, but not Nationalists. A head-scratcher for many, is there really a difference? Aren’t they just synonyms?

In the basic sense, yes they are. Most middle school teachers won’t cut your marks for using one instead of the other in the essay. But where they differ is the degree, or intensity, or even some ontological priorities. In simple terms, they could be seen in the same degree of variance as words Hot and Scalding differ. In fact, if you search for the difference, you’ll find detailed discussions on the topic. An example could be seen in these articles

1) https://www.merriam-webster.com/grammar/patriotism-vs-nationalism
2) https://www.dictionary.com/e/patriotism-vs-nationalism/

By giving the disclaimer, people simply are trying to signal their understanding of this nuance, and their position on the spectrum. But, are they really thinking through the nuanced lens, or is it just an attempt at wordcelling to obscure one’s agenda.

Let’s look at simple definitions for one, taken from dictionary.com

Patriotism is, “devoted love, support, and defense of one’s country; national loyalty.”
While Nationalism is defined as “the policy or doctrine of asserting the interests of one’s own nation viewed as separate from the interests of other nations or the common interests of all nations.”

While any thinking person may easily decipher, that Patriotism is milder while, Nationalism can be excessive. But, here the question lies, those who emphasize being Patriotic rather than Nationalist, are they really practicing what they preach. How often do you see them weakening the defence in garb of criticism? How often do you see them supportive of one’s own over others? How often do you see them being fully devoted?

A key difference between Patriotism vs Nationalism is, that Nationalism often dives into a regime of one’s superiority over others. But nowhere in the definition of Patriotism, does it mean to compromise one’s own in favour of others. But alas, the degree of loyalty needed to at least be a Patriot is lost on many.

For all post-modern thinking obscuring the definition of Nationalism, it still has another meaning, “a nation’s wish and attempt to be politically independent.”

Being politically independent is not just about having democratic elections, it is about our Nation’s place in the world. It is about not having to worry about outsiders in countering a threat which hampers the nation in any way. It is about having a say in global affairs, and not having to tow someone’s line. We may have gained independence over 75 years ago, but we still have some work to do before we gain Political independence.

I don’t know where I lie on the post-modern Patriot-Nationalist spectrum, but I don’t care. In my own eyes, I am a Nationalist. I don’t need any self justifications for it. I’m not blind to the challenges my nation still has to overcome, but overcoming those and keeping their own interests above anything are all the same.

Exuberance of youth and Risk taking appetite

Sputnik moment, they say in the field of AI, when DeepSeek R1 was revealed to the world. It has sent American incumbents into tailspin, and even ruffled the lazy feathers of the rest of the world, including India, which was so far comfortable letting the ‘big boys of silicon valley’ do the heavy lifting. The mere projection of an exorbitant budget needed for any such undertakings has kept many from even attempting a foundational model. What High-Flyer has achieved at their claimed budget has shattered this presumption.

Then there’s another angle to it, the age factor which has caught attention. The founder himself is barely 40, and the team which created the model has an average age of below 35. Yet, they achieved this landmark outcome. And then, we roll back to a very recent debate in India, which became absurd as it went. “Youth must work 70 hours a week”, an old stalwart exclaimed publicly. “Work 90 hours, why are you wasting your sundays staring at your wife”, said another veteran in a private affair, but got leaked to the public anyway.

So when DeepSeek rose from the east, the nocturnals burning the midnight candle serving their clients on the other side of the globe, and the early risers trying to do their best with what they have, got startled all the same. Obviously the ball of accountability saw itself getting passed in courts at first. Some saw it as an affirmation of the stance, that youth must work more. Others saw it as a lack of vision with leadership, which is busy shipping internet coolies rather than building something fundamental.

But I see another aspect of it. I don’t just see the average age of the working group. I see the age of the leader, or basically the public face of leadership. The gentleman began when he was just 30, and has achieved this milestone before turning 40. Obviously, he wouldn’t have done it without the patronage of big bosses in the Chinese government. But, it still happened, because someone in the big chair was listening to a person with fewer gray hairs.

Every veteran is busy telling youngsters, they need to work more. But, are those veterans willing to listen to those youngsters when they say how they could work better? Do they patiently listen when the hurried up youngsters speak? How many times have you seen a youngster suggesting something in public forums, and not getting a lecture in return? How many youngsters do you think refrain from saying something to avoid getting lectured back? You want them to work, but are you ready for them to lead or work for themselves?

Yes, youth are inexperienced. They lack wisdom which comes from relevant experience, relevant being the keyword here. Experience at times is irreplaceable. They make mistakes. They are in a hurry. They want things too fast without putting in the same work. BUT, if you look at the last sentence from another vantage point, it’s the definition of EFFICIENCY.

If old ways of doing things were always better, we’d still be living in mud huts waiting for rain to sprinkle our fields, which our ancestors did work very hard on for long hours. Then some lazy chaps had to invent things to shorten or lessen the workload once in a while, and here we are in the modern age, working so little with our hands than them. Sarcasm in the last statement aside, things changed because some people, often in comparably younger years throughout history, wanted more for doing less or wanted something different altogether.

Change is risky. Anything new breaks the status quo. And our beloved experience, which is so much praised for its virtue, often makes us risk averse. In fact, aversion to risk is unironically an aspect of wisdom. In aviation we often say, a superior pilot is someone who uses his superior judgement to stay away from situations which may need his superior skills. Experience nurtures that judgement. The history of aviation is written in blood, and safety is paramount.

But, everything isn’t aviation. In fact, if staying away from situations where you might be at risk was such a hallmark of human virtues, we wouldn’t even have taken to the skies in the first place. Real wisdom is also in watering a plant whose fruits you may never eat. That enthusiastic youth is that plant. The youth needs guidance as plants need water. If you drown it, it’ll wither and die. Give it just the right amount and it’ll flourish, and you the fruits when the time is ripe.

The Archetype of Exiled Prince

When JRR Tolkien went about writing Lord of The Rings, he just didn’t set out to write an engaging fiction, he set out to write a Mythology for Britain. He noticed that in myriad of great literature Britain had produced, it lacked a definitive cultural epic.
So in writing Lord of The Rings, he took to building a world so deep, it’ll become a standard in world building. But his stories were mostly setting driven. As far as characters were concerned, they mostly followed certain archetype rather than layered complexities.

It’s curious that while building his central hero in Aragorn, the character journey mirrored so much of the journey followed by central characters of 2 quintessential epics coming from India, Ramayana and Mahabharata. Both Shri Ramand Yudhishthir, princes born with claim to throne, both epitome of moral duty and bravery. Both having to spend significant time in exile away from royal luxuries, and having to prove their worth in great wars.

There are few more parallels found in interrace alliance against great evil. Maybe JRR Tolkien found his inspiration from those Epics. He was a well read scholar, and without a doubt aware of Hindu historia.
Regardless of if he took inspiration or not, the common theme of exiled Prince, epitome of morality triumphing in a great war, and establish a just rule is notable.